Matrix Feminist Design Co-operative founding member Anne Thorne carries a pram up the steps of a subway in Aldgate, East London from ‘Urban Obstacle Courses’ in Making Space: Women and the Man-Made Environment, cover image, Pluto Press, 1984. Photo: Liz Millen

‘Chronos, health, access and intimacy’, 2024

group show, Tensta konsthall, Stockholm, curated by Olivia Plender and Cecilia Widenheim

Participating artists: Jessie Bullivant, Cecilia Germain, Melanie Gilligan, Goldin+Senneby, Jakob Jakobsen, Matrix Feminist Design Co-operative, Park McArthur, Olivia Plender, Ihra Lill Scharning, Vård och värde and Constantina Zavitsanos

Whose body standards have shaped the society in which we live? And what can we learn from the disability rights struggles that demand access to the city and the built environment? Borrowing approaches from feminism, disability justice movements and ‘crip’ perspectives, the exhibition takes its point of departure in the architectural practice of Matrix Feminist Design Co-operative – a British group of architects – who in the 1980s and 90s attempted to lay bare the assumptions built into the environments we inhabit. They asked: who is the public space designed for? Extending this line of thinking, the artists and groups in the exhibition challenge the often hidden ‘norms’ of our society, by pointing to some of the disabling barriers that can block access to the public sphere for many, as well as the structural causes of chronic ill health and how they relate to different forms of discrimination. Many of the artworks explore how experiences of vulnerability and dependence allow us to question the high value that our society places on qualities such as self-sufficiency and productivity. How can we change our approach to time, and develop creative new models for mutual care and community?

Matrix Feminist Design Co-operative, promotional poster, 1979.

Matrix Feminist Design Co-operative, postcard.

Goldin+Senneby, ANTI-HANDIKAPP: Collection of Disabling Stones, Royal Dramatic Theatre (1908-2023), installation view, 2024. Granite and contrast marking dots in aluminium.

Cecilia Germain, Grandmother as a Child / The Camphor Tree, cyanotype photography and watercolour on paper, 2023. Photo: Wasim Harwill

Cecilia Germain, Grandmother as a Young Woman / The Okra Flower, 2023. Photo: Wasim Harwill

Installation view with Paradise Circus, 1988, a film by Heather Powell made with the Birmingham Film and Video Workshop, featuring Matrix member Jos Boys.

Park McArthur and Constantina Zavitsanos, Scores for Carolyn (video still), 2019, HD video, open captions, slowed sound, 11 min 28 sec

Park McArthur, These are the questions I would ask, 2013; Some follow up questions, 2017; ...synthetic questions..., 2019; Involuntary Questions, 2020; Asked simultaneously, 2023. Series of framed emails printed on A4 paper.

Constantina Zavitsanos, Specific Objects (stack), installation, 2016. Disabled access grab bars mounted on wall, dimensions variable.

Ihra Lill Scharning, When Did You Manage That, 2024. Site specific installation.

Ihra Lill Scharning, When Did You Manage That (detail), 2024. Site specific installation.

Ihra Lill Scharning, When Did You Manage That (detail), 2024. Site specific installation.

Jakob Jakobsen, Hospital for Selvmedicinering (Hospital for Self Medication), 2021. Installation, fabric banners, carpets, printed posters, sound circa 30 min.

Jakob Jakobsen, Hospital for Selvmedicinering (Hospital for Self Medication), 2021. Installation, fabric banners, carpets, printed posters, sound circa 30 min.

Jakob Jakobsen, Hospital for Selvmedicinering (Hospital for Self Medication), 2021. Installation, fabric banners, carpets, printed posters, sound circa 30 min.

Olivia Plender, Our Bodies Are Not the Problem, 2021—22. Acrylic paint on canvas with wooden dowels and string.

Melanie Gilligan, Home Together, 2020—22. Video with sound, 3 channels, wooden panel fencing.

Ihra Lill Scharning, Jeg vet ikke hvor jeg er (I don’t know where I am), 2019 Video, circa 5 min, separate sound and audio description.

Ihra Lill Scharning, Jeg vet ikke hvor jeg er (I don’t know where I am), 2019 Video, circa 5 min, separate sound and audio description.

Jessie Bullivant, Site Specific Illness, 2019/2024, poster to sign up for 26 emails sent in weekly installments to a mailing list.

Jessie Bullivant, Site Specific Illness, 2019/2024 26 emails sent in weekly instalments to a mailing list.

‘Chronos, health, access and intimacy’, installation view with reading area, Tensta konsthall, Stockholm, 2024.

Vård och värde, printed publication, 2020—ongoing. Editorial group: Ulrika Flink, Erica Johansson Afreixo, Gunilla Lundahl, Jenny Richards and Sanna Tefke. Design by Johnny Chang and Louise Nassiri.

Matrix Feminist Design Co-operative, Making Space: Women and the Man-Made Environment, reissued by Verso, 2022.

Further Reading