I am an artist and researcher based in Stockholm and London. My work often starts with social movements and their histories, because what we think we know about the past inevitably shapes what we believe is possible in the future. I am interested in the relationships between gender, power and knowledge. In my 2026 solo exhibition at Modern Art Oxford, UK, titled ‘Little Fennel’s Complaint’, I explored the history of medicine in relation to ongoing inequalities in women’s healthcare – from early modern witchcraft to contemporary debates on reproductive rights, disability and medical authority. In artworks ranging from embroidered textiles, to watercolour paintings, sound, and installation, I examined different forms and systems of knowledge related to health – from oral traditions passed down between generations of women to fairytale narratives, folk practices, astrological diagnosis and encyclopaedic methods of categorisation. Currently I am working with Glasgow Women's Library, Scotland, on an ongoing project Our Bodies are Not the Problem, about feminist health activism. In 2024 I co-curated the exhibition Chronos: health, access and intimacy at Tensta Konsthall, Stockholm, combining feminist and crip perspectives.
My artworks are in collections including the Tate Gallery and the Arts Council Collection. Exhibitions include: Sharjah Biennial 16, UAE (2025); Gothenburg Biennial, Sweden (2025 & 2017); The School of Creators, Centre Pompidou-Metz, France (2022); 59th October Salon, Belgrade (2022); Amant Foundation, New York (2022); 34th Bienal de São Paulo (2021); Taipei Biennial (2010); Manifesta 8, Murcea (2010); Altermodern: Tate Triennial, Tate Britain, London (2009); The Greenroom, Hessel Museum of Art, CCS Bard, New York (2008); Romantic Detachment, MoMA PS1, New York (2004). I have also undertaken numerous public art commissions. I was awarded a PhD from Lund University, Sweden in 2024 and I am currently Artist Research Fellow at the Centre for Biomedicine Self and Society at Edinburgh University.
